Yves KleinLa terre bleue
1957-1988
Sculpture IKB, Edition 300 ex
Signed with the monogram on the base, titled, numbered and annotated under the base on a label
13.78 x 7.09 in ( 35 x 18 cm )

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Inquiry - La terre bleue, 1957-1988

In 1957, Klein stated that the earth was entirely blue. On this occasion, he created a blue relief globe. Four years later, cosmonaut Gagarine said in April 1961 that the Earth was of a deep intense blue

Yves Klein was born into a family of artists: his father, Fred Klein, was a figurative painter, while his mother, Marie Raymond, was an abstract painter. This dual artistic influence shaped his interest in art from a young age. After secondary education at the National Merchant Marine School and the National School of Oriental Languages, Klein dedicated himself to the study of judo, which he practiced with passion. He even obtained a black belt fourth dan and went to Japan in 1952 to further his practice.

In 1954, Yves Klein decided to fully dedicate himself to art. He began by exploring monochrome, a form of art he developed in a unique way. In 1955, he organized his first solo exhibition in Paris, titled "Yves: Propositions Monochromes," showcasing monochrome canvases of various colors. However, it was with the color blue that he found his true artistic voice.
In 1957, Klein developed a saturated ultramarine pigment, which he named "International Klein Blue" (IKB). He used this intense blue to create his most iconic works, convinced that this color represented the sublime and the infinite. Among his major works using IKB are the famous "Monochrome bleu" (1957) and "IKB 3" (1960).

Klein is also known for his innovative artistic performances. In 1960, he organized a series of performances titled "Anthropometries." During these performances, he directed nude models coated in blue paint to press their bodies against canvases, creating body prints. These works, such as "Anthropométrie de l'époque bleue" (1960), question the boundaries of painting and the role of the body in art.

Yves Klein did not limit himself to painting. He also experimented with sculpture and reliefs. His series of "Sponge Sculptures" (1959-1962) used sponges soaked in IKB to create sculptural forms that uniquely absorb and reflect light. These works are both sensual and conceptual, illustrating his fascination with materials and their interaction with color.

A fundamental aspect of Klein's work is his quest for immateriality. He sought to transcend the materiality of art by exploring concepts such as the invisible and the infinite. In 1958, he organized an exhibition at the Galerie Iris Clert in Paris, titled "The Void," where the gallery was completely empty, without any works on display. This radical exhibition questioned the very notion of art and exhibition.
Klein was also interested in architecture and urban projects. In collaboration with the architect Claude Parent, he conceived the "Air Architecture" project, a utopian urban plan where constructions would be made of air and light, reflecting his interest in immateriality and sensory perception.

Yves Klein's career was abruptly cut short by his premature death in 1962, at the age of 34, following a heart attack. Despite the brevity of his career, Klein left an indelible mark on contemporary art. His work inspired numerous artists and movements, and he is often considered a precursor to conceptual art and minimalism.
His works are preserved in many museums and private collections around the world, and his influence endures in contemporary art and culture. The Museum of Modern Art of the City of Paris, the Centre Pompidou, and the Guggenheim Museum in New York are among the institutions that regularly exhibit his works.