Kenneth NolandRains
1985
Mixed media on paper, monoprint on Hand made paper
Signed, titled and dated on the back
94.49 x 52.36 in ( 240 x 133 cm )ZoomInquiry - Rains, 1985
Certificat
Provenance
Private Collection, Paris
Christie's Auction, Paris
Galerie Traits Noirs, Paris
Private Collection, Paris
Artwork's description
This work was produced on embossed paper and pressed symmetrically to obtain diagonal stripes. This gives the work relief and a certain kinetics. Kenneth Noland favors simple patterns, juxtaposes warm and cold hues and impasto. He seeks to create a kind of optical vibration.
« I do open paintings. I like the lightness, the airy things and the way the color pulsates. The presence of paint is the only important choice.»
Artist's biography
Kenneth Noland, born on April 10, 1924, in Asheville, North Carolina, and passing away on January 5, 2010, in Port Clyde, Maine, was a prominent American painter and a key figure in the development of Color Field painting. His career spanned several decades and his innovative use of color and geometric abstraction earned him international acclaim.
Kenneth Noland grew up in Asheville, where his exposure to the natural landscape of the Blue Ridge Mountains would later influence his artistic sensibilities. After serving in the Air Force during World War II, Noland studied art at Black Mountain College in North Carolina from 1946 to 1948. It was here that he was introduced to avant-garde ideas and encountered influential artists such as Josef Albers and Ilya Bolotowsky.
In the early 1950s, Noland moved to Washington, D.C., where he became associated with the Washington Color School. This group of artists, including Morris Louis and Gene Davis, explored new possibilities in abstract painting, particularly focusing on color as the primary means of expression. Noland's early works from this period, such as "Beginning" (1958), already demonstrated his interest in bold, flat color fields and geometric forms.
One of Noland's breakthrough series was the Stripe Paintings, which he began in the late 1950s. These works featured parallel bands or stripes of vibrant colors arranged vertically or horizontally across large canvases. The simplicity of form and the intensity of color became defining characteristics of his style. "Birth" (1959) and "Gift" (1962) are exemplary works from this period, where Noland explored the visual impact of color relationships and optical effects.
Noland's contribution to Color Field painting was significant in its exploration of color as an independent element with its own emotional and spatial qualities. Unlike Abstract Expressionism, which emphasized gesture and emotional expression, Color Field artists like Noland sought to create art that was more about the interaction of color and form on a two-dimensional surface. His works became known for their clarity, simplicity,
In the 1960s and 1970s, Noland expanded his exploration of form by introducing circular canvases and irregularly shaped panels. This experimentation with shaped canvases allowed him to further explore the relationship between color and form, as seen in works like "Beginning Again" (1968) and "Art and Life" (1970). These paintings challenged traditional notions of painting as a rectangular, flat surface and added a sculptural element to his work.
Throughout his career, Kenneth Noland continued to refine his approach to color and form. His later works, such as "Carousel" (1981) and "Beginning" (1985), continued to explore the dynamic interplay of colors in increasingly complex compositions. He also experimented with acrylic paints and different application techniques, further pushing the boundaries of Color Field abstraction.
Noland's influence on contemporary art is profound. His bold use of color and geometric abstraction paved the way for Minimalism and other movements that followed. His works are held in major museums and collections worldwide, including the Museum of Modern Art in New York, the Tate Gallery in London, and the National Gallery of Art in Washington, D.C.